They sell frocks at F. G. Goode’s, these women in black, and when they arrive for work they don rayon crepe dresses that smell of frequent dry cleaning, cheap talcum powder and sweat.

Every movie I watch now is a movie about an entire cast of people who seem to not have cancer, or at least this is, to me, its plot,” Anne Boyer observes in The Undying, her recent Pulitzer Prize-winning inquiry into cancer.

In an oft-told story from Japanese folklore, an enchanted bird marries a man. There are many variations of the tale, but the one CJ Hauser relates in the title essay of her new collection, “The Crane Wife,” involves a creature who plucks her feathers out each night to preserve her marriage, to trick her husband into believing she is human.