A photograph on the pamphlet extolling the benefits of emigration features women in red swimsuits, skidding on water skis across Sydney Harbor — a jarring contrast to the bleak circumstances of a British couple named Charlotte and Henry in their mold-afflicted, too-small house in Cambridge.

Every movie I watch now is a movie about an entire cast of people who seem to not have cancer, or at least this is, to me, its plot,” Anne Boyer observes in The Undying, her recent Pulitzer Prize-winning inquiry into cancer.

“Let’s Not Do That Again” is a political comedy of manners that reads like the love child of Page Six and a long episode of “Veep.”