As David Sibelius boils the lobsters for the annual dinner he hosts for his graduate students at the Boston Institute of Technology, his 12-year-old daughter, Ada, observes him with a sense of foreboding.

In The Most, a 1950s housewife takes to the pool and won't come out.

In an oft-told story from Japanese folklore, an enchanted bird marries a man. There are many variations of the tale, but the one CJ Hauser relates in the title essay of her new collection, “The Crane Wife,” involves a creature who plucks her feathers out each night to preserve her marriage, to trick her husband into believing she is human.