Susan Coll

Book Review
Moment
‘Live A Little’ by Howard Jacobson

Language is failing Beryl Dusinbery. She is 99 years old and having trouble retrieving words. “One minute she has a word, then she hasn’t. Where does it go?” Conversely, Shimi Carmelli, 91, can’t forget. “Selective morbid hyperthymesia,” he calls it. One burdensome memory in particular refuses to recede.

Live a Little, Howard Jacobson’s 16th novel, is ostensibly a love story about these two nonagenarians, who live across from one another on North London’s Finchley Road. But its themes have less to do with romance than with humiliation and regret, privilege and bad parenting, a temperamental prostate and, above all, words. Those themes have run through Jacobson’s novels (and his columns for the British newspaper The Independent) from retellings of Genesis and the Shylock story to the contemporary The Finkler Question. This new book is classic Jacobson: smart and quippy, full of literary allusions and mined with barbs. 

The cover art features skeins of hearts and skulls, and the latter ought to serve as a trigger warning. Beryl is no sweet old lady; she’s self-absorbed, nasty, racist and verbally abusive to the two long-suffering caregivers who dutifully tolerate her offensive behavior. She refers to one as a “Russian whore” and hypothesizes that the other has bad posture because she’s from Africa and “It’s what comes of eating lizards and carrying baskets of bananas on their heads.” Sometimes Beryl falls down just to give them something to do. “I see it as a favor,” she says. “It increases their job satisfaction.”

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Book Review
Moment
Language is failing Beryl Dusinbery. She is 99 years old and having trouble retrieving words. “One minute she has a word, then she hasn’t. Where does it go?” Conversely, Shimi Carmelli, 91, can’t forget.
TheMillions.com
Shortly after I turned in my new novel, The Stager, my editor sent me a startling black and white photograph of a woman in a chair. The woman is in a state of graceful repose, with long legs extending into strappy black shoes. She is sultry, sexy, and extremely unsettling. She appears to be beautiful even though you cannot see her face because she is wearing a mask. The art director was suggesting updating this image to use as the cover of the book.
Essay
Washingtonian Magazine
We asked Washington writers to share stories, essays, poems, drafts, musings, and other things they’ve been working on during quarantine. Today, a riff by Susan Coll, who is the author of five novels, most recently The Stager.
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